26 April 2019
Our talented illustrator Rachel McLean has been busy creating wonderful worlds for young artists to delve into with her Magic Water Colouring series which launched this year with Imagine That. Filled with everything from dinosaurs and unicorns to dazzling mermaids, the series has been making a splash! We caught up with Rachel to find out what drew her to the project and what her creative process entails.
23 April 2019
Bright artist Maddie Frost is the author-illustrator of three books; her most recent creation, Wakey Birds, published earlier this month with Templar Publishing. We’ve spoken to Maddie on the blog previously about her unique style of digital collaging from found textures, which she scans and then assembles into colorful, geometric scenes and characters with a ton of personality. With the publication of Wakey Birds, we took the opportunity to catch up with Maddie about the process of writing AND illustrating, the evolution of her style, and the challenges she encountered with this project. As always, Maddie kept it refreshingly real, honest, and funny and gave us a sneak peek at the book’s earliest stages.
18 April 2019
Lucie Luddington heads up Bright Educational, applying her 20 years of agenting experience to pair talented artists with fantastic projects and opportunities that take their career to the next level.
05 April 2019
James Hearne joined Bright just one month ago and what a whirlwind month it has been! We caught up with him to find out how his career has changed pace in such a short space of time.
01 March 2019
This World Book Day we are going behind the scenes of the magical new picture book The World Book Day Monster written by Adam & Charlotte Guillain. The book, from Egmont, is a celebration of stories, capturing all the excitement and imagination the day inspires as one young reader tries to find someone to share the magic of her favourite book with.
25 February 2019
At Bright, we are dedicated to attaining exciting opportunities with fair conditions for our artists to enable them to create wonderful work. It is immensely rewarding to support artists in this way and to be able to offer guidance as they navigate their way through the industry.
01 February 2019
This January saw the publication of the hilarious new picture book, Daddy Fartypants, written by Emer Stamp, featuring a very windy bear! We’ve gone behind the scenes of the laugh-your-pants-off story from Orchard Books to find out how the tale of an embarrassed son and his unapologetic Dad was brought to life.
30 November 2018
To kick-off the Christmas season, we’ve gone behind-the-scenes of Fred Blunt’s new author illustrated picture book ‘Santa Claus vs The Easter Bunny’, published by Andersen Press. A fun, festive revenge tale — of the chocolatey kind — which pits the scheming Easter Bunny against the jovial, and completely unaware, Santa Claus with mounting hilarity.
16 November 2018
At The Bright Agency we are passionate about creating a community that inspires and nurtures creativity. We see first-hand that interconnectivity and the process of sharing builds strength and success. But for artists starting out, building a community can be easier said than done.
05 October 2018
In a word, amazing. I know how tough the industry is and how many wonderful artists are already out there doing beautiful work, so I deliberately ensured that I kept my expectations realistic and hoped for maybe one or two projects in my first year so that I could start building my professional body of work. I was pretty blown away when I was offered a run of six educational books in the first month, and I was really excited to get my teeth into multiple projects. But nothing could compare to getting to work with HarperCollins, specificially art director Chelsea Donaldson who was responsible for the project coming together! It was a dream come true, and one that also allowed me to take the plunge and quit my job to work as an artist full time, which was always something that I wanted but assumed I would have to wait years to do. Now I’ve worked on over ten books and I have to keep pinching myself to make myself believe that this is really my career, now. I’ve been incredibly lucky and am so grateful to Bright.
28 September 2018
Since he joined Bright just a year ago, life has been a whirlwind for illustrator James Lancett. His illustrations have graced the covers of James Patterson and Chris Grabenstein’s Max Einstein series, as well as Alesha Dixon’s Lightning Girl. And things won’t be slowing down for him anytime soon! We asked James to reflect on how his life has changed since he became part of the agency and give us a peek behind the scenes at his process and studio.
09 August 2018
As well as being perfect for the target market in both style and substance, the look and feel of the book must be appealing to the adult that is most likely to be purchasing the book. Think about the tastes and current trends that are likely to grab the attention of book buyers.